‘small work,’ a short documentary
neighbourliness as world-building
at last, here is the short documentary that a team of filmmakers made one day last spring about my work here at appleturnover farm.
this documentary came out of months of conversations with the director about the ways i think about and seek to live in harmony and regeneration, and the challenges inherent in this. those of you already familiar with my work know that a deep concern of the everyday, lived practice i have come to call the small work is the imperative to turn away from the illusion of independence and seek community-sufficiency. it is the search for symbiosis in whatever we are doing, right here, with our own hands, together.
i love how this film captures the way that neighbourliness can express the heart of this work. that we lighten each other’s trouble when we help each other out, and through collaboration we transform crisis into joy. this is world-building. it is the activism of the small work. i’d love to hear if you feel these ideas coming through in the documentary.
watch the 6 min documentary right here:
this film is not just about collaboration. it is also a product of collaboration. like so much of what i do, my own filmmaking is experimental, and usually solo. so it was riveting to make a film with such a talented crew of professionals. this was both a technical marvel and a joyful act of teamwork.
i am also blessed to be entirely surrounded by good neighbours and i’m ever so delighted for you to meet, in the film, one of the most important people to our lives on the farm, our neighbour bill.
if the film speaks to you, and you know someone who might be heartened by it, please do share it.
enormous thanks to the stellar humans who made this film possible:
featuring my star of a neighbour bill goddu, and made by these legends,
producer/ director: shana lee gibson
executive producer/ producer: cameron russell with common ground media.
director of photography: colm keating
production sound mixer: chris duesterdiek, c.a.s
camera assistant: my-le
gaffer: lehic gommesse
editor: nicole oziel
composers: cheska yo, stephen spies
re-recording mixer: dan abrusci
animator: jonathan roth
thanks again to lorne lapham and mouat’s home hardware and our other amazing sponsors. thanks to my kid sister erika rathje for introducing me. i am so honoured to have worked with this team.
—- i hear tickets are going going gone for the victoria, bc screening at lightspeed film exhibition on january 23 —-
thanks for watching, thanks for supporting ♡ 彡








it's so sweet, elise... i love it... such a sweet story. i loved how anxious you were on the end of that rope, i would have been too, "oh my god, his life is in my hands"... and how delighted you were at hoisting the pole... and how satisfying the egg payment/gift/appreciation was. i love your invocation of the word "neighbourliness." and ya, it's hard to ask for help. we're so programmed to go it alone... capitalism reinforces it, the heroes journey kind of does too (although I should study it better, maybe i'm wrong... the idea of a hero, anyway), and I've heard that it's also a trauma symptom... and as thomas hubl says, whatever our personal stories, we are living in a great net of unresolved traumas... this idea of neighbourliness and world building happening in tiny steps, small gestures, encounters, exchanges, just lovely. douglas rushkoff talks a bit about this, after being asked to consult with billionaires on the holes in their survival bunker plans... he's like, you're better off to ask your neighbour to borrow his drill than you are to build a bunker. you're allowing yourself to become indebted to your neighbour and that builds mutual relationships and interdependence... How celebratory that every time you hang the washing you will be reinforcing this web if interbeing/relatedness, with the tree, with bill, with the whole film crew. laundry day as celebration!
The neighbourliness is delicious. These are the counters we need. Would love more time, more characters and stories - a series on Netflix. Your energy seems lighter on that side of the camera. Less to think about I guess.